Home Marketers What’s The Scoop On Häagen-Dazs’ Evolving Media Mix?

What’s The Scoop On Häagen-Dazs’ Evolving Media Mix?

SHARE:
haagen dazs

Practically everyone on Earth likes ice cream. (If you don’t, feel free to close this tab and reevaluate your tastes.)

But for advertisers, reaching “practically everyone” is a challenge. It’s the classic “my customer is anyone with a mouth” conundrum.

According to Rachel Jaiven, head of marketing at Häagen-Dazs, its audience is anyone who loves ice cream and wants to indulge in well-made products – which is a lot of people.

So, where does a brand go when it wants to reach a lot of people? To start off, the Big Game.

To kick off its “Slow” campaign earlier this year – as in, slow down and savor the small moments – Häagen-Dazs ran an ad during the Super Bowl featuring “Fast & Furious” stars Vin Diesel and Michelle Rodriguez opting out of a car chase to delight in a little ice cream.

The ad ran on Fox, of course, which televised the Super Bowl, and also on streaming platforms, including Tubi and Fubo.

In the slow lane

For all the shade thrown at linear TV lately, there’s still a time and place for it. Häagen-Dazs invests in both linear and streaming, and Jaiven emphasized the importance of linear TV for live sports in particular – from the Super Bowl to the NBA Playoffs.

Häagen-Dazs focuses on linear TV to target audiences who tune in to specific shows at specific times, whereas it has dedicated buys in the streaming world to target viewers of certain shows whenever they happen to watch.

While the “Slow” campaign is being activated in a variety of channels – Häagen-Dazs launched two new products in April and promoted them with an emphasis on out-of-home and streaming – the ad creative itself is mostly consistent across platforms.

But the brand spices (or sweetens?) things up a bit for digital channels, according to Nicole LeLacheur, creative director at nice&frank, the creative agency behind the “Slow” campaign.

Digital placements are easier to scroll past and miss, said LeLacheur. So, for those ads, nice&frank focused on product beauty shots and what she referred to as “enjoyment moments.”

You know, those ads where you see someone eating an ice cream cone so hedonistically that you feel like you’re intruding a little.

But maybe they’re aiming for a little risqué.

Häagen-Dazs is trying to remind its audience that this isn’t “your grandma’s ice cream,” LeLacheur said.

It’s “not a new brand by any means,” she said – Häagen-Dazs was founded more than 60 years ago – and it’s often viewed as more of a “luxury” than other brands based on its longevity and emphasis on premium ingredients.

But 95% of US households have ice cream in the freezer, said Jaiven, so ice cream brands need to keep up with the latest trends and social platforms in order to stay relevant alongside their competitors.

Häagen-Dazs’ “Slow” campaign, for example, aims to target millennial and Gen Z consumers, in particular, by reaching them in media that targets younger viewers, such as the show “Hot Ones” and the podcast “Call Her Daddy.”

So far, the strategy is working. According to Häagen-Dazs, the brand is seeing steady lifts in ad recall and consideration on YouTube among its 25-to-34-year-old target audience.

“Steady” is promising verbiage for a campaign rooted in slowness.

Must Read

Adobe Advertising Just Launched Its Own Custom Algorithms Product

Last week, Adobe Advertising announced the general release of its own Custom Algorithms product, which is “a huge departure from the TubeMogul days,” Erwin Castellanos, GM of Adobe Advertising, tells AdExchanger.

MFA Ad Spend Is Increasing. Is AI Slop To Blame?

This year, the percentage of ad spend going toward made-for-advertising (MFA) sites went up instead of down for the first time since 2023.

Kickbacks Takes An Outsider’s View While Bringing Ads To AI Agents

Andrew McCalip is a founding engineer at Varda Space Industries, where he oversees the manufacturing of things like hypersonic reentry vehicles and satellite buses.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

CTV Buyers Are Getting The Show-Level Performance Optimization They’ve Always Wanted

A collaboration between InterMedia Advertising, Peer39 and Pontiac Intelligence provided show-level cost-per-acquisition data for 94% of CTV ad impressions.

Advertisers Await Programmatic Pause Ads

The IAB Tech Lab is working on standardizing programmatic signals for new streaming TV ad formats, including pause ads. Meanwhile, many brands are eager to add pause ads to their repertoire.

Why Media Mergers And Spin-Offs Don’t Always Keep Their Promises

With media megamergers, acquisitions and spin-offs left and right, the media landscape is changing at a pace that is difficult to keep up with.