Home AdExchanger Talks The Power Of Creative Data

The Power Of Creative Data

SHARE:

Creative is a strong performance lever.

In fact, ad creative is responsible for nearly half of sales lift, which is more than reach, recency and targeting combined, according to recent data from AI-powered creative analytics platform CreativeX.

So why doesn’t ad creative get the credit it deserves?

Until recently, technology wasn’t advanced enough to measure creative decisions at scale. But that’s changing, says Anastasia Leng, CEO and founder of CreativeX, on this week’s episode of AdExchanger Talks.

There was a time before programmatic when humans were responsible for media and targeting. Eventually, the tech got better, and “we started to trust it to give us signals to help us make those kinds of decisions,” Leng says.

“Creative is just that last element where technology fell behind for a long time,” she says. “But largely thanks to advancements in things like computer vision, we can now see in a way that we couldn’t before.”

Creative data comes from the structured, objective measurement of the various parts of an ad, everything from the logo placement and text overlays to who’s been cast in the ad and the emotional impact of the message.

Historically, creative – the big idea – was treated almost purely as an art form. But using AI to analyze, quantify and extract the components that make up an ad opens new avenues for optimization.

“Where things get really interesting is when you take that data and start to cluster it into themes that marketers can use to make decisions,” Leng says.

Of course, not everyone is ready to infuse data into the creative process, she says. The knee-jerk fear is that “machines will tell me what to create” or “machines will take my job.”

“We don’t believe creative data should replace the big idea [or] the people who are coming up with the big ideas,” Leng says. “We see it as an enabler to scale those big creative ideas in a way that will help you maximize their impact on performance.”

Also in this episode: Why diversity and representation are good for ROI, dealing with unconscious bias in marketing, Leng’s path to entrepreneurship and her Gwyneth Paltrow connection.

Plus: Why DEI shouldn’t be a political or controversial issue. “It’s about really understanding who your audience is, what they care about, and can you speak to them in a way that will cut through,” Leng says.

For more articles featuring Anastasia Leng, click here.

Must Read

Felipe Cuevas for TelevisaUnivision

We Went To Eight Upfronts This Week. Here's What We Learned

Upfront week is officially over. In case you missed any of the dog-and-pony shows — including Chappell Roan belting out “Pink Pony Club” during YouTube’s Broadcast — don’t worry; we’ve got you covered.

Let’s Be Upfront About Performance

During upfronts, publishers flexed their ad performance muscles at media buyers all week long in an effort to appeal to the biggest demands media buyers have during their upfront negotiations: flexibility and results.

Upfronts Day Two: Dancing And Data

TelevisaUnivision and Disney took over Day Two of upfronts week in New York City on Tuesday, and the throughline was data quality.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

Warner Bros. Discovery’s Upfront Was All About Performance

Warner Bros. Discovery used its upfront stage to announce two new ad measurement efforts, including that it’s joining a CAPI-focused initiative led by OpenAP.

Upfronts Day One: Publishers Jostle For Position As Performance Drivers

AdExchanger Senior Editor Alyssa Boyle and Associate Editor Victoria McNally traversed the island of Manhattan on Monday to scope out upfront presentations by NBCUniversal, Fox and Amazon.

Viant Sees A Growth Wave Coming, But First Marketers Must Really Ditch Walled Garden Ad Tech

Viant’s modest growth story took a backseat to a far louder claim: that fed-up advertisers are finally ready to ditch the rigged economics of Big Tech’s walled gardens.