Home Advertiser UGG Australia Reaches Its Audience, One YouTube Sensation At A Time

UGG Australia Reaches Its Audience, One YouTube Sensation At A Time

SHARE:

UGGWhen your target audience is tween girls aged nine to 13, there are not only data and targeting considerations to keep in mind but also a general elusiveness from a media consumption standpoint.

When UGG Australia came out with a new “I Heart UGG” brand line, YouTube stood out to its agency, Santa Monica-based Palisades Media Group, because of the tween-saturated fan base its creators have built.

“Because of the unique demographic we were trying to reach, we had to take a more unique approach in how we reached that audience, which was very much contextually based and didn’t use traditional data targeting,” commented Jeremy Viola, VP and group director of strategy at Palisades Media Group.

Initially an offline campaign, Palisades sponsored an in-store appearance with YouTube girl band sensation Cimorelli, which sparked a screaming frenzy reminiscent of a Michael Jackson performance, according to its client.

The agency wanted to replicate that interest online, but it wasn’t easy. “If you can’t always afford to partner with  [celebrity creators who typically command higher CPMs] where else do you look on YouTube to ensure channels are high-quality?” Viola said.

To build essentially its own YouTube “network,” Palisades tapped Outrigger Media’s OpenSlate, a tool that assesses and scores 220,000 YouTube channels based on measures of influence, content quality and engagement.

The platform assigns a SlateScore that filters out suggestive content or profanity. Advertiser demand for OpenSlate drove the rollout of a tool allowing media planners to curate their own premium content networks from among approximately 70 million ad-supported YouTube videos. That tool, called Vnetic, rolled out in June.

Palisades has tested and utilized many of YouTube’s video delivery options. Viola described YouTube’s TrueView as “very attractive in terms of users self-selecting the relevancy of the video,” and said YouTube’s non-skippable formats deliver very efficient cost-per-completed-view impressions. However for the purposes of the UGG campaign, it has settled on YouTube’s non-skippable, 15-second preroll format.

Via a content and audience-scoring algorithm, OpenSlate siphoned the most relevant tween channels from the pack, including channels like Clevver News and Bethany Mota, where topics like music, beauty and back-to-school were part of the conversation.

In this instance with OpenSlate, the agency went with preroll, but is also looking to combine that with more custom programs on a direct basis with appropriate influencers, Viola said.

Through Vnetic, users can build custom premium content networks within YouTube. Those networks can be targeted via any YouTube buying platform, including AdWords, AdX or programmatically through any DSP.

The I Heart UGG campaign used OpenSlate datasets (produced with the Vnetic planning tool) to target media in the auction via AdWords. When using OpenSlate for enhanced targeting and analytics, Palisades found “5X the efficiency in cost-per-view” than in video campaigns without, according to the agency. Viola said that in addition to OpenSlate, they’re running back-end analysis against ComScore Validated Essentials and demographic data.

“We’re able to see (anonymous) back-end metrics for how long someone’s spent on site, whether someone’s looked up one of our flagship store locations, and we’re using that information to determine who is delivering the most quality audience, most efficiently,” Viola said.

Although Viola acknowledges the agency’s direct-response advertisers are dabbling much more in programmatic buying, on the brand advertiser side – particularly when you consider a brand like UGG with audience sensitivities – having certainty that impressions are running on a brand-safe, and closed-loop environment like YouTube, has been key.

 

Must Read

Single continuous line drawing robot riding pencil rocket flying in the sky. Tech education and creativity. Future technology development. Artificial intelligence. One line design vector illustration

Q3: Omnicom’s Media Business Is Growing, But Is It Agent-Proof?

If AI agents can plan and buy media, who needs a holding company? Good question. It came up during Omnicom’s Q3 earnings on Thursday.

Netflix Touts New Measurement Capabilities As It Struggles With “Modest” Engagement Growth

Netflix’s revenue grew 12% YOY to $12.9 billion in Q3, which it maintains is in line with its forecast. Its ads business, however, is lagging slightly compared with expectations, causing Netflix to tweak its forecast for the rest of the year.

Apple Publishes Its Plan To Wipe Out Web Tracking

Apple is coming for identity resolution. WebKit’s latest tracking crackdown targets the infrastructure behind post-cookie IDs – and switching to a first-party setup won’t necessarily spare vendors.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

AI Slop Sites Are On The Rise. Is Ad Tech Ready For Its New MFA Challenge?

Advertising supply chain intelligence company DecryptAds uncovered more than 2,100 AI-generated recipe sites that are monetized with programmatic ads and feature fabricated author profiles.

How Australian Home Lender Lendi Measures The Invisible Work Of AI

Most brands and businesses are trying to figure out how to improve their metrics when it comes to AI – and also what those metrics even are.

AI Startup Minerva Built An Agentic CDP, But Don’t Call It That

Minerva wants to turn fragmented customer data into something marketers can use, with AI agents doing the work behind the scenes.