Home CTV Roundup Can Netflix Handle Live Programming?

Can Netflix Handle Live Programming?

SHARE:
Back view of woman with remote control in front of TV set with noise on the screen

It’s not a good week for Netflix.

The streaming giant flubbed its second-ever livestream on Sunday. Instead of catching the live reunion episode of “Love Is Blind,” distressed fans blew up social media with enough complaints to top off Twitter’s What’s Happening feed with “#LoveIsLate.” Ouch.

Love was so late that Netflix had to upload an on-demand episode the following day for viewers who wouldn’t (or couldn’t) wait the nearly two hours it took for the live episode to finally hit the airwaves that night. (So much for appointment viewing.)

“We’re really sorry to have disappointed people – we didn’t meet the standards that we expected of ourselves,” Netflix co-CEO Greg Peters tells investors.

“But just to be clear from a technical perspective – we do have the infrastructure [for live programming],” he says. “We just had a bug.”

Still, the very public blunder looks especially bad for Netflix just weeks out from its first-ever upfront presentation to advertisers.

Where’s the love?

To be fair, Netflix is brand-spanking new to live programming. And its first-ever livestream, of Chris Rock’s comedy special last month, went just fine.

Netflix says it made updates to its livestream tech after the Chris Rock special, and it blames a bug introduced in those updates for its “Love Is Blind” fail. It’s also possible the sheer volume of viewers tuning in to this fan favorite at the same time overwhelmed Netflix’s servers.

But it may not be a good enough excuse when the streaming competition is getting fiercer. Advertisers have a record amount of streaming services they can spend against and are also under intense economic pressure to justify every dollar spent.

Now what?

This faux pas raises a very critical question about Netflix: Can it really handle live programming?

Most of Netflix’s competition comes from streaming services owned by national broadcasters that already have decades of experience airing live linear content (think NBCUniversal and Warner Bros. Discovery). Live content is also catnip to advertisers, who crave water-cooler moments (and the fact you can’t use a DVR to fast-forward through ads during live content). Some programmers with streaming services are bundling their on-demand and live inventory for this year’s upfronts to offer broader scale to advertisers.

Netflix, on the other hand, was born strictly in the streaming world. But it is determined to compete directly with other TV broadcasters – hence the decision to join the upfronts instead of NewFronts.

But when it comes to Netflix’s ability to air live programming, so far, not so good.

Other streaming services, including Peacock and Hulu, took the chance to mock Netflix on Twitter, a clear way of signaling that they themselves wouldn’t run into this sort of problem. (Both Hulu and Peacock livestream news and sports.)

Even Blockbuster kicked Netflix while it was down. The video rental company, which went out of business nearly 10 years ago while viewers ditched it for Netflix, tweeted, “This is what we get,” to which Redbox replied, “Solidarity, bro.”

So, should Netflix stick to on-demand video?

Well, on-demand streaming is clearly what Netflix is good at. But if Netflix insists on going toe-to-toe with other TV programmers that are already juggling both live and on-demand content, then it’s unlikely to back down without a fight.

Let me know what you think. Hit me up at alyssa@adexchanger.com.

Must Read

The Programmatic Auction Is Changing In Real Time – Here’s How

The programmatic auction has changed drastically since its first iteration. The addition of intermediaries and complex auctions across multiple verticals has created fragmentation for publishers and marketers. And AI is adding further complexity.

Publicis Acquires LiveRamp In A Major Shakeup For Indie Data Collaboration

Hundreds of exasperated and unexpected ad industry phone calls were made on Sunday, as agencies and ad tech vendors discussed the fallout of Publicis Groupe’s $2.2 billion acquisition of LiveRamp over the weekend.

Finger connecting dots on a cork board network concept

These AI Agents Want To Handle All The Annoying Parts Of Media Buying

Meet Kovva, a new AI ad tech startup tackling the unglamorous gruntwork that programmatic has never fully automated.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
Felipe Cuevas for TelevisaUnivision

We Went To Eight Upfronts This Week. Here's What We Learned

Upfront week is officially over. In case you missed any of the dog-and-pony shows — including Chappell Roan belting out “Pink Pony Club” during YouTube’s Broadcast — don’t worry; we’ve got you covered.

Let’s Be Upfront About Performance

During upfronts, publishers flexed their ad performance muscles at media buyers all week long in an effort to appeal to the biggest demands media buyers have during their upfront negotiations: flexibility and results.

Upfronts Day Two: Dancing And Data

TelevisaUnivision and Disney took over Day Two of upfronts week in New York City on Tuesday, and the throughline was data quality.