Home Digital TV and Video Live Video Is About Branding – And Acquisition – For Publisher This Old House

Live Video Is About Branding – And Acquisition – For Publisher This Old House

SHARE:

Live video is picking up steam, but because it takes extra resources to produce – and monetization is still nascent – it can be a tough tradeoff for premium publishers.

Yet, with more consumer platforms, such as Facebook Live, testing new monetization tactics like mid-roll ads in live video, publishers are experimenting more aggressively with live across their owned-and-operated and distributed properties.

This Old House, a multiplatform media company with tie-ins to a popular PBS television program for DIY home improvement enthusiasts, is doubling down on its live offering using JW Player.

Although the home improvement publisher already has a first-movers’ advantage from a decade’s worth of premium video content from its TV program, it also wanted to drive up engagement with members of its paid loyalty program, This Old House Insider.

“We’re starting to use live video as an added incentive for our most loyal fans, who already get access to a complete archive of every show we’ve ever produced,” said Michael Gutkowski, chief digital officer for This Old House Ventures.

To increase engagement, This Old House began hosting live events with personalities from its TV show, many of whom also have loyal fan followings across social media. Early results show live video participants and premium subscribers are consuming 10 times more video than nonparticipants, the company said. 

“It’s a great way for the guys on our television programs to connect one on one with our consumers, answer questions and get direct feedback from the guys on TV,” Gutkowski said.

This Old House charges an annual subscription fee for Insider club membership and monetizes through pre-roll ads on traditional desktop or video on-demand content.

But because live video promises new perks for publishers, such as real-time interaction with viewers, the company sees a lot of potential for future monetization.

“As we build out new brand extensions targeting millennial DIY users, as well as home technology users, I think the live events will play a key role in building out branded content and new native advertising products,” Gutkowski said.

Although This Old House now uses live video as a value-add, rather than monetizing it, the publisher is collecting valuable data points around viewer usage that will lay the groundwork for revenue further down the road.

After Time Inc. sold This Old House back to its original owners about a year ago, it had to build a new tech stack virtually from scratch. It began by onboarding a new data management platform, using Nielsen’s DMP.

“Since we have thousands and thousands of video assets, we’re using DMP data to help us sequence content in front of users so we can retarget them with episodic series of content and information,” Gutkowski said.

Contractors, DIYers and home buyers and sellers are a lucrative segment for advertisers, “so we’re absolutely tagging live users and our broader video consumers [using JW Player] and feeding that information as a first-party source back into our DMP,” he said.

Until now, live events have been smaller and invitation only, which makes it easier for the publisher to control, but once it ramps up live video, the publisher will collect even more data, Gutkowski added.

One benefit of using an independent video player is This Old House’s ability to tag and export its data across all of its video platforms.

Although live video may not be big moneymaking mechanism for publishers like This Old House just yet, Bill Day, COO of JW Player, said the format is starting to emerge as a viable acquisition channel into publishers’ deeper video on-demand libraries and the like.

“Our view is a lot more consumption will occur in VOD because of viewer consumption [and time-shifting] but live video is dual-purpose,” Day said. “It’s acquisition because it elevates your brand, and it provides an additional tool to build out your content library.”

Must Read

Programmatic, FAST And Queerness – The Trifecta Of Revry’s Future

The law-professional-to-queer-media-founder pipeline is not a particularly common one. But it’s exactly how Alia J. Daniels came to co-found Revry, a free streaming platform centering LGBTQ+ storylines. Revry is home to PrismRiot, a programmatic ad exchange that also connects advertisers to other multicultural and diverse-owned publishers. 

Beehiiv Brings Dynamically Inserted Podcast Ads To Its Publisher Platform

Podcasters can open their inventory to programmatic demand to complement their direct-sold host-read ads and monetize their back catalogs.

Stagwell Acquires Publisher Monetization Network Freestar

The deal is the latest sign that media buyers are moving closer to publishers to shorten supply paths and get at the audience data they need to train AI agents.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

The Healthcare Marketing Tech Company OptimizeRx Is Going Programmatic

OptimizeRx, which has software that plugs into the systems doctors use to prescribe drugs and maintain patient records, has taken its next big step into the world of programmatic through a new partnership with The Trade Desk.

Single continuous line drawing robot riding pencil rocket flying in the sky. Tech education and creativity. Future technology development. Artificial intelligence. One line design vector illustration

Q3: Omnicom’s Media Business Is Growing, But Is It Agent-Proof?

If AI agents can plan and buy media, who needs a holding company? Good question. It came up during Omnicom’s Q3 earnings on Thursday.

Netflix Touts New Measurement Capabilities As It Struggles With “Modest” Engagement Growth

Netflix’s revenue grew 12% YOY to $12.9 billion in Q3, which it maintains is in line with its forecast. Its ads business, however, is lagging slightly compared with expectations, causing Netflix to tweak its forecast for the rest of the year.