Home Publishers Unilever Brand Knorr Adds A Dash Of Native To Its Media Mix

Unilever Brand Knorr Adds A Dash Of Native To Its Media Mix

SHARE:

knorrnativeKnorr is developing a taste for native.

The Unilever-owned seasoning and sauce brand has been experimenting with interactive sponsored content and plans to make it a stock part of its media plan.

That’s because it’s the kind of thing that engages millennials, an audience Knorr is particularly interested in courting. Awareness isn’t an issue for Knorr, but consideration and differentiation are, especially with smaller niche food brands coming on the market.

“Knorr is a huge brand with a very established heritage, but it doesn’t necessarily feel that relevant to a younger generation,” said Sarah Burbridge, a global media manager at Unilever in the UK. “We needed to offer something valuable, interesting and entertaining, and also potentially something [people] would want to share with their friends as a way for us to build our brand identity.”

In April, Knorr launched a global creative campaign with the goal of positioning itself as a foodie brand with millennial appeal.

Knorr developed a variety of content for the campaign, including recipe recommendations, an online personality quiz that helps consumers discover their flavor profile and a film called “Love at First Taste” that pairs couples on blind dates based on their taste preferences, all of which was housed in a central hub.

Social was one of the main traffic drivers, but there’s only so much time someone’s going to spend on a brand microsite, which meant reach was inherently limited.

“Rather than trying to funnel a millennial audience into a particular destination, it would make much more sense to think about environments where they’re already active,” Burbridge said. “They expect to see that kind of content there.”

The assets from Knorr’s flavor profiler were repurposed into sponsored posts that Playbuzz, a self-serve interactive content platform – think surveys, quizzes, polls and listicles – distributed across its network of 40,000 publishers, including Cosmopolitan, Food Network UK, The Daily Record and Hollywood.com. The publishers also shared the posts through their own social channels. A mobile-friendly flip card unit contained a summary of each flavor profile with cute names like “Salty Adventurer,” “Meaty Warrior” and “Deep Sea Dreamer.”

The brand is guaranteed a certain number of impressions and only pays on a per-engagement basis. But Knorr wasn’t “just chasing reach,” Burbridge said.

Although “it’s true that a lot of what we do from a media perspective is focusing on broad reach and getting our message to a large audience, what this kind of content allows us to do, particularly when we’re looking for more equity or to drive reappraisal of the brand, is give more depth of engagement,” she said.

A post-campaign MetrixLab market research study noted a positive uptick in brand awareness and likelihood to recommend Knorr products.

But there’s not necessarily a secret sauce here and getting people to engage is far from “voodoo magic,” said Playbuzz co-founder Shaul Olmert. It’s just a matter of creating something fun and putting the content where the target audience is likely to see it.

“We’re in an industry people are paying money or installing ad blockers to avoid,” Olmert said. “So why should someone stop what they’re doing for five minutes and engage with you? When someone sees something sponsored by a brand, they’re only going to engage with it if the content is done well.”

Tagged in:

Must Read

How Warner Bros. Discovery Is Creating Value Out Of Dead Air With Pause Ads

Streaming publishers are banking on pause ads to bolster revenue with a more user-friendly ad experience. With programmatic standardization still pending, Warner Bros. Discovery is taking a stab at advancing the capabilities behind its own pause ad formats.

Peacock Hits Profitability As Comcast Prepares To Spin Off NBCU

Peacock hit what Comcast Co-CEO Mike Cavanagh called “meaningful profitability” for the first time in Q2, just as Comcast decided to let it leave the nest. 

Comic: It's Coming For You

Programmatic Platforms Champion Transparency, But Not If It Means Giving Activists Access

A DSP refused to give ad industry watchdog Check My Ads a seat on its platform, even after both parties cosigned a master service agreement, citing concerns about “protections” for “vendor and supply partners.”

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

Alphabet Smashes Ad Revenue Earnings Again – But Does It Still Care About Ads?

Investors didn’t bring up Google’s advertising business or ads in general once during the Q&A portion of Alphabet’s earnings report call on Wednesday.

Podcast concept illustration. Female radio host interviewing guests on radio station. Podcast in studio flat vector illustration. Man and woman in headphones talking. Vector in flat style

Comscore Wants To Make Buying Podcast Ads Feel More Like Buying CTV Or Display

Comscore is adding Spotify, SiriusXM, Triton Digital, Acast and Libysn to its Proximic targeting solution to build brand-safe, contextual audiences for omnichannel campaigns.

Amazon

Sellers Are Fed Up With Amazon, But Can They Force Change?

Million Dollar Sellers, or “MDS,” is a group of Amazon sellers and specialists. And they’ve had it with Amazon’s advertiser and seller squeeze. But can they do anything about it?