Home CTV Netflix’s Smaller Piece Of The Ad Spend Pie Might Shield It From Economic Upheaval

Netflix’s Smaller Piece Of The Ad Spend Pie Might Shield It From Economic Upheaval

SHARE:

It’s still too soon to tell what kind of impact Netflix’s proprietary ad tech platform is having on the streaming service’s larger revenue goals. After all, the new suite of tools just launched in the US and Canada on April 1.

Even still, the ongoing rollout has “gone well,” Co-CEO Greg Peters told investors during the company’s quarterly earnings presentation on Thursday.

“We’ve got many years of building ahead of us, but we’ve got a clear road map,” Peters added.

In the meantime, Netflix is coming out of the first quarter of 2025 in a strong position. Revenue for the quarter grew 13% year over year from $9.37 million to $10.54 million.

In a letter to shareholders, Netflix’s leadership attributed this to “slightly higher subscription and ad revenue,” although they still have not disclosed any official numbers for the advertising arm of the business.

Netflixonomics

Advertising revenue is still a small portion of Netflix’s overall business, although Peters reiterated the company’s previously stated goal of doubling that revenue by the end of 2025.

Netflix’s ads business has “plenty of room to grow” in the countries it serves, Peters said.

For the time being, however, it might be a good thing that Netflix is seeking a smaller slice relative to the “big ads pie” – meaning the larger CTV advertising landscape.

“That smallness probably provides us some insulation to market shifts right now,” said Peters, in reference to questions from investors about ongoing uncertainty in the market.

In fact, Netflix is actually seeing “some positive indicators” from advertisers in advance of May’s upfronts.

The relatively lower cost of Netflix’s ad tier ($7.99 per month in the US and Canada) might help the company keep customers amid the ever-increasing possibility of a downturn, said Peters.

It also doesn’t hurt, said co-CEO Ted Sarandos, that Netflix produces original content – plus all the local jobs and tourism drivers that result from it – in 50 different countries, leaving the US-born company less exposed to global economic backlash.

The suite life

But anyway, back to the Netflix Ads Suite – or NAS, as we now know it’s called internally.

The new tech platform still needs to be rolled out in 10 remaining ad markets over the next few months. But in the US and Canada, where it’s already live, initial reactions are positive, said Peters.

So far, the biggest benefit seems to be that advertisers are granted more flexibility and fewer hurdles in the way that they buy and activate on Netflix inventory.

The team is also working on delivering more capabilities to NAS, including better programmatic availability, enhanced targeting features and more robust ad relevance, said Peters.

“We got a lot of work to do, for sure, but we think we’ll be able to move very quickly,” he added. “And, frankly, more quickly than other streamers.”

Must Read

Publicis Acquires LiveRamp In A Major Shakeup For Indie Data Collaboration

Hundreds of exasperated and unexpected ad industry phone calls were made on Sunday, as agencies and ad tech vendors discussed the fallout of Publicis Groupe’s $2.2 billion acquisition of LiveRamp over the weekend.

Finger connecting dots on a cork board network concept

These AI Agents Want To Handle All The Annoying Parts Of Media Buying

Meet Kovva, a new AI ad tech startup tackling the unglamorous gruntwork that programmatic has never fully automated.

Felipe Cuevas for TelevisaUnivision

We Went To Eight Upfronts This Week. Here's What We Learned

Upfront week is officially over. In case you missed any of the dog-and-pony shows — including Chappell Roan belting out “Pink Pony Club” during YouTube’s Broadcast — don’t worry; we’ve got you covered.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

Let’s Be Upfront About Performance

During upfronts, publishers flexed their ad performance muscles at media buyers all week long in an effort to appeal to the biggest demands media buyers have during their upfront negotiations: flexibility and results.

Upfronts Day Two: Dancing And Data

TelevisaUnivision and Disney took over Day Two of upfronts week in New York City on Tuesday, and the throughline was data quality.

Warner Bros. Discovery’s Upfront Was All About Performance

Warner Bros. Discovery used its upfront stage to announce two new ad measurement efforts, including that it’s joining a CAPI-focused initiative led by OpenAP.