Home CTV Netflix’s Smaller Piece Of The Ad Spend Pie Might Shield It From Economic Upheaval

Netflix’s Smaller Piece Of The Ad Spend Pie Might Shield It From Economic Upheaval

SHARE:

It’s still too soon to tell what kind of impact Netflix’s proprietary ad tech platform is having on the streaming service’s larger revenue goals. After all, the new suite of tools just launched in the US and Canada on April 1.

Even still, the ongoing rollout has “gone well,” Co-CEO Greg Peters told investors during the company’s quarterly earnings presentation on Thursday.

“We’ve got many years of building ahead of us, but we’ve got a clear road map,” Peters added.

In the meantime, Netflix is coming out of the first quarter of 2025 in a strong position. Revenue for the quarter grew 13% year over year from $9.37 million to $10.54 million.

In a letter to shareholders, Netflix’s leadership attributed this to “slightly higher subscription and ad revenue,” although they still have not disclosed any official numbers for the advertising arm of the business.

Netflixonomics

Advertising revenue is still a small portion of Netflix’s overall business, although Peters reiterated the company’s previously stated goal of doubling that revenue by the end of 2025.

Netflix’s ads business has “plenty of room to grow” in the countries it serves, Peters said.

For the time being, however, it might be a good thing that Netflix is seeking a smaller slice relative to the “big ads pie” – meaning the larger CTV advertising landscape.

“That smallness probably provides us some insulation to market shifts right now,” said Peters, in reference to questions from investors about ongoing uncertainty in the market.

In fact, Netflix is actually seeing “some positive indicators” from advertisers in advance of May’s upfronts.

The relatively lower cost of Netflix’s ad tier ($7.99 per month in the US and Canada) might help the company keep customers amid the ever-increasing possibility of a downturn, said Peters.

It also doesn’t hurt, said co-CEO Ted Sarandos, that Netflix produces original content – plus all the local jobs and tourism drivers that result from it – in 50 different countries, leaving the US-born company less exposed to global economic backlash.

The suite life

But anyway, back to the Netflix Ads Suite – or NAS, as we now know it’s called internally.

The new tech platform still needs to be rolled out in 10 remaining ad markets over the next few months. But in the US and Canada, where it’s already live, initial reactions are positive, said Peters.

So far, the biggest benefit seems to be that advertisers are granted more flexibility and fewer hurdles in the way that they buy and activate on Netflix inventory.

The team is also working on delivering more capabilities to NAS, including better programmatic availability, enhanced targeting features and more robust ad relevance, said Peters.

“We got a lot of work to do, for sure, but we think we’ll be able to move very quickly,” he added. “And, frankly, more quickly than other streamers.”

Must Read

Comic: The Mobile Freight Train

AppLovin Asks For Patience As It Grows Its Ecommerce And Consumer Ads Business

“We’re deemed a new bucket, so a testing category,” AppLovin CEO told investors regarding its nascent consumer and ecommerce ads business. “And to graduate up takes time. This stuff compounds over quarters and years.”

Magnite Doesn’t Want To Be A DSP. It Just Wants To Own The Decisioning Layer

On Wednesday, Magnite CEO Michael Barrett painted a picture of a company that’s edging into the buy side by adding more DSP-style capabilities for planning and activation.

For Cuisinart, AI-Generated Ads Are As Handy As A Kitchen Blender

Cuisinart’s marketing team has been eager to take advantage of generative AI-based creative.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

Paramount Skydance Insists The WBD Merger Will Be Good For The Media And Ad Industry

During Paramount Skydance’s Q2 earnings call, CEO David Ellison limited his remarks to a two-minute monologue about the company’s confidence in the intended merger. 

AI Agents Are Giving Publishers A New Way To Monetize Their Data

Here’s how PubMatic and Optable are using AI to help publishers turn first-party data into new ad deals and reach more buyers.

Sweetgreen Tapped Atmosphere TV To Introduce World Cup Viewers To Its Wraps

Sweetgreen turned the World Cup into a marketing moment for its new wraps, running video ads in public viewing spaces through Atmosphere TV.