Home Data Videology Looks To Build Publisher-Side Business, Acquires Mobile DMP Collider Media

Videology Looks To Build Publisher-Side Business, Acquires Mobile DMP Collider Media

SHARE:

Collider Media acquired by VideologyVideo ad network Videology has acquired mobile data management platform Collider Media, it’s first acquisition,  as it works to expand its services to include more direct business from publishers.

In an exclusive interview with AdExchanger, Videology CEO Scott Ferber said that deal was done to reflect the advertisers’ demand for targeting consumers — using the wide array of anonymous data gathered by Austin, TX-based Collider — across various devices.

“One of the single greatest challenges of cross-platform marketing is tracking consumers because of different user identification on individual devices,” Ferber said. “Collider has developed a business that works with the publishers to match them with their users across any device. We’ve been working with Collider for a year-and-a-half and it has a huge registered user base on mobile in particular. They manage large publishers, and they help manage their audiences so their advertisers can deliver targeted advertising. It’s a simple marketing desire: an advertiser wants to market and manage the ads that are shown to same Scott Ferber whether he’s on the PC, the smartphone, the tablet, and eventually, the connected TV.”

Terms of the deal are not being disclosed. From a brand standpoint, Collider will continue to operate independently and will keep its name and its executive staff in the same place, including CEO Bryan Jones, who spoke to AdExchanger last October about the issues of targeting and privacy, an issue that was crucial for Videology in making the purchase, Ferber said.

“This is a sensitive issue and in addition to making sure that the data is anonymous, each publisher still gets to keep its own data with Collider’s system,” Ferber said. “If one publisher in the system knows someone, and another doesn’t, that information isn’t shared. But I can manage data that was there but never surfaced in a way that allows for large publishers to be able to create a large, targetable audience.”

In continuing as a distinct brand, Collider will also be encouraged to be open about who it works with. “There is no coercion here, we want them to be able to do great business and work with every demand offering out there, not just ours,” he said. “The value in being acquired by us is that we can provide Collider with greater resources to keep doing what they do.”

The acquisition marks another rung in Videology’s evolution, which changed its name from Tidal TV in January. So as Videology fills out its supply side face with Collider, it is also looking to the company for its patent pending technology called Vault, which is billed as a way to protect publishers’ data from third parties. As the ad tech space gets more crowded with service providers, patents are the clear way to show differentiation and also provides an additional, direct revenue stream.

“The key thing here is, ‘Who controls the data?'” Ferber said. “People like to say ‘Content is king,’ and I’m happy with that. Hey, American Idol gets a pretty high rate, the Super Bowl gets the highest rate and reruns of The Andy Griffith Show, which I particularly love, don’t get a high rate. However, this ability to see the audience and understand them on every touchpoint that they experience the content is something that advertisers have always wanted.  And with all these devices and digital assets, the publisher have the data and the power is shifting back to them. Authentication on devices will change things, we won’t need the user identification code on devices anymore. That’s why the focus will shift to the supply side and that’s why we did this deal.”

By David Kaplan

Must Read

Why Media Mergers And Spin-Offs Don’t Always Keep Their Promises

With media megamergers, acquisitions and spin-offs left and right, the media landscape is changing at a pace that is difficult to keep up with.

TransUnion is partnering with Blockgraph so that advertisers can use its identity data to target, reach and measure TV households across channels.

How This Disaster Relief Nonprofit Tapped First-Party Data To Reach Donors Year-Round

Staying top of mind for potential donors is an ongoing challenge for Direct Relief. Nexxen’s audience curation helped it spread and sustain awareness.

Why Major UK Publishers Are Finally Joining Forces To Curate Ad Inventory

Atria’s collective approach is a response to growing monetization challenges and the need to protect the value of human journalism in the AI era.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
Toronto Canada pride parade includes a crowd waving pride flags

Ad Performance And Politics Steered Brand Dollars Away From LGBTQ+ Communities – But The Pendulum Will Swing Back

The current administration has discouraged many marketers and organizations from showing support for the LGBTQ+ community, including during Pride month.

How AI Can Enhance Content Without Generating It

As much as consumers complain about AI-generated content, advertising experts say AI still has an important place in video creation and production, including for ads. But using AI in content without turning off consumers is a tricky dance.

How Tovala Banks On Subscriptions And Incrementality – But Not Ads – To Profit From Its Oven

Smart TVs, refrigerators and other home appliances may pester you with marketing, but at least the hardware is cheap. Another startup taking a different approach to the same theory is Tovala, which was founded in 2015 and combines a standalone countertop oven with a weekly meal kit subscription.